Sunday, July 22, 2012

Nolan "Rises"


Fear not, citizens of Gotham. This review is simple, straightforward, and SPOILER-FREE. 


So. The Dark Knight Rises. One of the most anticipated movies of not only the summer, but of the year. I had the chance to see a midnight screening, as part of a 3-movie Batman marathon featuring both Begins and  Dark Knight, capped off with Rises. This absolutely influenced my feelings on the film, especially since so many elements from Begins arose again in Rises. Seeing Nolan's ducks lined up in a row helps discern the heart of the story he's telling, and how he's been planning to finish telling it since the beginning.


There's an awful lot going on in The Dark Knight Rises. Enough, even, that it seems the story well could have played out successfully over 2 films - or should have been trimmed down a bit to fit comfortably in the confines of a single film. The story overflows with characters new and old, from Bane (Tom Hardy) to Catwoman (Anne Hathaway), as well as Batman staples like Commissioner Gordon (Gary Oldman) and Alfred Pennyworth (Sir Michael Caine). None of them feel shoehorned in just for the sake of having them there, nor do any of them get the shaft in terms of screentime. Much like Marvel's The Avengers, Rises does a great job of balancing a large and complex cast along with its story. 

This movie is not perfect. What it is, though, is the culmination of a clear vision on the part of director and writer Christopher Nolan. It may not be what we either expect to see or want to see, but it is unquestionably Nolan's story. This is Nolan's Batman. He's telling his version of the story the way he wants to tell it, and he's doing it well. I have an immense amount of respect for that kind of creative vision and storytelling integrity.


Nolan uses his story to grab hold of you and never lets go, something that's not easy to do in a nearly 3-hour movie. Both the scale and stakes of the movie are bigger this time around, and Nolan handles the necessary shift in storytelling perspective extremely well. I'm looking forward to seeing this film again, hopefully in IMAX, as I'm told the visuals that Nolan puts onscreen are even more spectacular in that format. Here's hoping we get more films of this caliber on our screens soon. 







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